Wednesday, January 23, 2019

Icelandic titles of Tom Tyler films

From Visir, Reykjavik, June 5, 1932
As with other European nations, Iceland was included  on the list inventoried by FBO to show Tom Tyler films in the mid- to late 1920's. Iceland proved to be very receptive to the established star of westerns produced by FBO, then later on, a handful of Monogram films, and of course “Stagecoach” (1939). In one cinema listing in the newspaper Alþýðublaðið (May 25, 1928), Tom is described as “one of the most famous and handsome cowboy actors”. In some cases, some of Tom's silent films were released under their own American title without translation: “The Sonora Kid”, and  “The Cowboy Musketeer”. The Iceland newspapers in which Tom Tyler’s cinema listings appeared in are: AlþýðublaðiðNorðlingur, Morgunblaðið, Vísir, Neisti, and Lögberg. With thanks to Tí, here is a small list of Tom Tyler movies shown in Iceland between 1926 and 1941:

From Einherji, October 8, 1936

Silent films:

Æringinn – Born to Battle 1926

Hefndar riddarinn – Cyclone of the Range 1927

Án dóms og laga – When the Law Rides 1928

Riddarinn fífldjarfi – Gun Law 1929

Í ræningjaklóm - Idaho Red 1929

Í vargaklóm – The Pride of Pawnee 1929


Maðurinn frá Dauðadalnum - The Man from Death Valley 1931

Í dal dauðans – Galloping Thru 1931

Póstvagninn – Stagecoach 1939

Captain Marvel – Adventures of Captain Marvel 1941

Sunday, January 20, 2019

From FBO to RKO: Transitioning company ownership

In "Powdersmoke Range", Tom's first movie for RKO
By the time Tom Tyler made his twenty-fourth silent film for FBO - “The Avenging Rider” (1928), released on October 7, 1928, his studio contract would be near its end, primarily due to company ownership change, and its final transition to talkies. The advent of sound pictures for Hollywood film studios meant several things: one, the commercialization of synchronized sound, which now became affordable for studios which made a tidy profit on making and releasing silent films; two, the ability for the cinema patrons to appreciate the voices of their favorite actors as they were in real life; and three, the marriage of moving images and sound the way Thomas Edison, the inventor of each, the way he originally intended. Most importantly, the careers of silent film stars faced a major challenge, and those who were able to transition to sound pictures were the lucky ones, especially those who made films of the western genre during the silent film period. Tom Tyler was one of those actors, along with Bob Steele, Tim McCoy, Harry Carey Sr, and Hoot Gibson.

A poster for "The Texas Tornado" in Swedish
Tom made five more silent films that were released between October 23, 1928, and June 9, 1929, “The Pride of Pawnee” being his last for FBO. With the studio undergoing ownership changes, it was decided that Tom’s contract run out and not be renewed by RKO Productions, possibly due to the fact Tom was not really ready yet for talkie pictures; he was one of the very last leading men of the silent film era to make silent films during the year 1930.

The year before Tom first started making silent films for FBO, the company was primarily engaged in the distribution of silent films. As the years went on though, in the mid- to late 1920’s, Joseph Kennedy Sr. discovered that by having several subsidiaries, the silent films produced by his studio could gain worldwide popularity – and they did. In Tom Tyler’s case, many of his westerns filmed at FBO wound up being distributed across Europe, as many European newspaper cinema show listings can attest; even more beneficially, a number of these silent film copies wound up being saved, eventually finding their way into film archives such as EYE in Amsterdam and Filmoteka in Brussels, Belgium.

From Motion Picture News, February 2, 1929
In 1927 Joseph Kennedy was approached by David Sarnoff, the then general manager of RCA who wanted to use Photophone in the affordably run FBO studio. Harvard Business Reports 1930 states that RKO was a subsidiary of Radio Corporation of America, created to take over FBO and its subsidiaries. RCA also took interest in Keith-Albee-Orpheum (KAO), which owned a circuit of theatres, the latter desiring to transition to the film business. The company merger between FBO and KAO proved to be successful, and by 1929, William Le Baron was vice-president of RKO Productions in charge of production, sound-proofing all stages formerly under the FBO name. For FBO, it was a final goodbye to the silent film era, and ushered in the sound era, and for RKO, the landmark sound release was “Syncopation” in 1929, starring Barbara Bennett and Ian Hunter, and for a produced movie, “Street Girl” that same year.

With Harry Carey Sr in "The Last Outlaw" 1936
So even though RKO decided against keeping Tom Tyler on and renewing his contract in hopes of prepping him for upcoming sound pictures, that did not mean a permanent goodbye to the newly named company by any means. Tom continued to appear in RKO films such as “Powdersmoke Range” in 1935, “The Last Outlaw” in 1936, “Valley of the Sun” in 1942, “The Princess and the Pirate” in 1944, “Return of the Badmen” and “Blood on the Moon” in 1948.

Wednesday, January 9, 2019

“'Neath Western Skies” 1929 Tom Tyler silent film at Flickr

It appears that yet again another lost Tom Tyler film – at least a segment of one – has popped up, this time, at the Library of Congress.

Fourteen frames of “'Neath Western Skies” (1929) have initially been posted at Nitrate Film Interest Group as an unidentified film snippet on December 12, 1018. These frames came from a digitized file, made from a 35mm nitrate print at the Library of Congress. This film print snippet lasts just under two minutes. That this film print was digitized is amazing, and tinted at that, in a rich brown color, perfectly suitable for a late 1920's western. Of the 14 frames at Flickr, Tom appears in only two of them, but they are well worth viewing: 

'Neath Western Skies 1929

'Neath Western Skies 1929

Sunday, January 6, 2019

Climbing through windows

One of Tom Tyler’s more entertaining yet common athletic stunts in his starring roles involves climbing through windows. Most of the time it is to escape a band of crooks – or to avoid someone wanting to acquire information Tom has but is not ready to give out. Sometimes however, Tom climbs through a window to enter a house, not because the front door is locked, but in order to meet with someone in confidence, such as a girlfriend. In the latter case, Tom snuck into a house more than once just to do that, as he did in “Cheyenne Rides Again”, “The Laramie Kid”, and “Deadwood Pass”. When it came to escaping those who he knew were after him in a closed room, however, Tom took the easy route – climbing over the window sill when the window is open, most of the times by himself, sometimes with another person, as when he left the courtroom in “Fighting Hero” with Conchita in order to protect her from a frame-up job.

"Cheyenne Rides Again"
Most fascinating, however, are Tom’s projectile jumps through closed windows. This is evident in movies like “Single Handed Saunders”, “Phantom of the Range” (1936), and “Cheyenne Rides Again”, and for the viewer who has seen “Adventures of Captain Marvel”, will find that Tom Tyler did in fact have lots of practice performing such stunts, even though Republic Pictures stuntman David Sharpe executed all of the tumbling stunts in this famous film serial. In some cases, Tom performs a simple jump through a closed window, as in “Two Fisted Justice”.

While climbing or projectile jumping through windows sounds easy, Tom Tyler certainly makes these stunts look effortless enough to amuse the viewer and never getting hurt in the process. Still, as they say, “Don’t try this at home” - leave it to professionals like Tom Tyler.

"Two Fisted Justice"